Peter Engelmann, August 11, 2024
A fundamental quality of the otherworld is its shapeshifting quality. This is the common denominator between myth, folklore, fiction, and “true story witness accounts”. Nothing is what it seems in the otherworldly forest. Small and big can change within a second. A nearby place can be suddenly far away. Nothing is what it looks like. The otherworld is a zone where our laws of nature do not apply—UFOs, as modern daemons perfectly represent this shapeshifting quality.
This shape-shifting is a common experience in dreams. Usually, the shapeshifting otherworld is seen as the counterpart of ordinary reality, the otherworld as a mirror world, often with the distorting mirrors in a mirror cabinet. These uncertainties of reality apply not only to the objects, space, or the inhabitants of the otherworld. Time is different too: “On the other hand, a short period of clock time can seem like an age in the Otherworld” (Patrick Harpur, Daimonic Reality).
Apparitions are the most common feature of shapeshifting phenomena. The fairies are shapeshifters par excellence as their modern counterparts, the aliens. But also beasts, “giant-black cats” bigfoot, or other denizens of the forest have a shape-shifting quality. They are known – of course – for shapeshifting: a dwarf becomes a cat or even something inanimate can become a living creature. Or appearing as a living creature. Fairies can make small things big and big things small.
The most intriguing quality of apparitions is their contradictory nature: they are both real and not real in the same moment, both material and immaterial at the same time. This is a concept even hard to grasp for those who spent years studying these themes. It demands us to abandon our common idea about reality. A step nearly impossible to take for the ordinary man. Even scholars, initiates or shamans struggle with these fundamental fissures in our understanding of the world.
Nevertheless, this is where we are. Did somebody figure out what Ufos are? Science explained phenomena like a color-shifting lake where bacteria turns blue or green water into purple. But many mysteries remain a mystery. A missing person is found at an impossible distance. In science, we are puzzled by the mysterious ambivalence of quantum particles, the unknown nature of dark matter, or the impenetrable dark holes. Excellent writer Patrick Harpur found the definition for this special kind of reality: He called it Daimonic Reality and titled his legendary book Daimonic Reality too.
The world is full of encounters with daimonic reality. A key takeaway from the idea of daimonic reality is that we often see only the surface of something but the whole reality is veiled and is hiding in another dimension. A deer is not what it seems. Harpur describes Even the celestial bodies, the stars, and the objects in the skies can be windows into another dimension.
Often so-called abduction cases or encounters of the third kind are much more puzzling than they seem at first sight: Patrick Harpur recalls in Daimonic Reality the case of Virginia Horton who experienced a couple of supernatural experiences. On one occasion in France not far from the river Rhine she got lost in the woods and returned later with a bloody blouse. She talked about an encounter with a deer which seemed like a magical being. Simple “supernatural explanations” such as an alien encounter with the alien disguising as a deer don’t work here. Harpur writes, that under “Hypnosis, Virginia talked more about the deer: ‘ I had a sense of personality inside this deer.’ The sense that there is someone behind phenomena is the sense of the daemonic, the divine even, in all things”.
The Forest As Shapeshifter
Nature itself can be daimonic. Folk Horror tales describe this power of place and the hidden quality of nature around us. The field is more than just a field, the tree is more than a tree and of course, the forest itself has both transforming and shapeshifting qualities. What happens inside the observer and what happens on the outside we often don’t know.
We learned from the great writer Algernon Blackwood the idea that nature is a sentiment being: William P. Simmons writes in the preface of his anthology “Wildwood”: “Sky, soil, trees, grass, air, water – everything that man defines in scientific or organic means, Blackwood imbued with a personality, a soul. In ‘The Willows”, ‘The South Wind’ and others, Nature is not only a symbol of life but a self-aware entity that might be only a part of a vast, fragmented host of powers. The forest, the wildwood, is beyond science and rationality. Blackwood’s conception of nature is both beautiful and horrifying, beyond good or evil, immeasurable and undefinable” (Wildwood, Shadow House Library of Weird Fiction).
The mysterious island in the river Danube in “The Willows” is a good example of what William P. Simmons describes in the preface of Wildwood. The island seems to be constantly changing. An island in the wilderness of a river is a place of change. But when the story’s two protagonists stop and spend the night much more is going on. An uncanny presence plays tricks with the mind and nothing is any longer what it seems.
But is the forest as a shapeshifter only a concept in literature and myth?
Traditionally shapeshifting is the ability to physically transform oneself through unnatural means and not only in the perception of others. We need to get back to this to understand how common this feature is in many forms: Many Gods are shapeshifters: Think of Zeus or Proteus who could change his shape at will. In Norse mythology it is Loki. You find them anywhere in any religion or mythology. Sometimes the transformations into animals or monsters are not voluntary as in the case of Medusa or Arachne. It can be a punishment.
Creatures and supernatural beings are often shapeshifters by nature like vampires or werewolves. The skin-walkers of the Navajo are shapeshifters who roam the woods and the fields like some other tricksters. Then we have fairies, witches, and wizards. Fairies are among the most prominent shapeshifters. They can be humanlike or even appear as humans but quickly shift into a different form. Perhaps the mysterious lights in the forest are a fairy.
So far we are talking about entities. Living beings, agencies, Gods, and demons who can perform metamorphosis. What about the place, the forest itself? The first thought which comes to mind is of course, that any forest challenges our perception. The change of light, the darkness, not seeing the forest for the trees. If we have that feeling of getting lost, if we feel Sylvan dread, our surroundings change. But is it all in the mind? Or is metamorphosis possible? Can a path disappear, the landscape takes a different shape, a different mood?
Well, there are alleged true stories. They are often related to cases where people got lost in the woods or the unsolved missing 401 cases. Here comes an example from “Only In Your State”:
“A few visitors have reported encountering bridges made of birch branches and twigs that span small creeks. According to the visitors’ reports, once they cross a bridge and move away from the area, they are unable to relocate the bridge. It doesn’t matter if the hiker carefully marks her path, or even retraces his footsteps exactly – the bridge (and in some cases, the stream) will simply disappear. This phenomenon has been reported most frequently in the area surrounding Berry Pond.” (Spend The Night At Massachusetts’ Most Haunted State Park For A Truly Terrifying Experience)
This is a very typical example: A path that suddenly isn’t any longer there or even the dimensions in the forest feel somehow “wrong”. Is it possible? It depends on our worldview: If it is true what philosophers say, that our visible, everyday world is only part of a larger invisible world any kind of transformation, distortion or shape-shifting isn’t so absurd.
Or as William P. Simmons said:
“By entering the Wildwood, we are inviting metamorphosis, a terrifying breakdown of how we attempt to define existence. A world that lives, breathes, and feels as dramatically as the humans who stumble along its paths.”
This is the common thread, a reoccurring motive: In movies from IN THE EARTH by Ben Wheatley to the classic “STALKER”, in great literature as in “THE WHITE PEOPLE” by Arthur Machen to Algernon Blackwood but also in countless witness accounts from the Bridgewater triangle, from haunted forests all over the world and even in smaller woods which hold secrets and are always trapdoors to a deeper, different reality.
