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Mind Scanner: Beams Of Light And Telepathic Control

It’s very common that we encounter deep in the forest psychic forces which easily comb through our brain. They already know about our deepest fears and read any memory. What is happening in many stories reflects a lot of real accounts of close encounters both in UFO-sightings as in supernatural encounters. In the darkest places, there is not only telepathic reading of the mind, the strange entities are creating lively scenarios taken from the individual’s memories and driving the victim into madness.

Mind control and “cockpit” intrusion is a theme running through many books and films by Stephen King. The most elaborate description could be found in “Dreamcatcher” (Duddits). The individual human mind becomes the battleground and there is even a strategy to create a safe place where to store secrets in order to protect them from the alien entity.

King develops an interesting concept where we can see our mind as a non-material universe along the normal world. It’s like a building with storerooms with images of the past.

The “rooms” with the memories are always an interesting playground for evil entities. Another very good example is “IT”. Pennywise, the monster, has obviously the same abilities as an experienced psycho-analyst. He finds the weak spots. These dark entities skip through our memories like the files on a hard disk. When the psychotherapist needs years to bring back hidden or suppressed memories they act like a data reader. In a quick scan, they find what’s useful for them.

They have the ability to let these memories overwhelm the victim and they put you on a ride to the darkest corners of your life. They provoke reactions when the memories, for example, lead to a discussion and a fight inside a group of friends. The alien entities create also some sort of “fake news” or “fake memories” they mix with the real memory. They want to activate strong emotions like shame, guilt, and anger. In the end, there is violence and panic.

It can happen in a way that present reality mixes with images from the past. Places, situations, and people enter the reality like ghosts. A new virtual reality is created.

An excellent example is Adam Nevill’s recent successful forest horror novel and film “The Ritual” where the past overwhelms the group of friends in the middle of the forest. Somebody seems to know exactly about their backstories.

The concept appears also in prominent ghost house movies and books. Here is the house or the ghosts inhabiting the house are the mind scanners and creators of tormenting visions of the past.

In “The Shining”, the hotel knows everything about Jack Torrance and what he did to his son and his family. In the “Awakening”, written by Stephen Volk, the hero becomes overwhelmed by her past in a tragic way.

Is this just as convenient concept for any writer? Of course, it is a way which makes it easier to reveal backstories and there is also in my project an element where the forest triggers memories.

This comes not surprisingly since horror is always a road back into our childhood. Horror works best if the creator puts us back into the state of a child. Therefore we see in some stories these journeys back into the childhood but not necessarily. Also, traumatic experiences of adults are often the motive which comes up.

However, this is not something which came with fiction, fiction borrowed from reality. Alien entities that can read our minds are a very common experience.


It is a universal and archetypical experience with a long tradition. We see also similar images and stories which run straight through religious accounts, visionary experience, and modern Ufo-lore. A typical description is the grey aliens with their black impenetrable eyes looking directly into the human soul.

A very prominent motive is the light beam scanning the mind. The light beam originally often appears in a religious context and can be seen in many paintings in churches and illustration. Light beams are a central element in close encounters but interestingly also in visionary experience as out of body experiences. Light Beams scanning an observer are an element in records about dangerous lights in the forest.

Jacques Vallee found an example (in “Dimensions”) in Robert Monroe’s book “Out Of The Body”: “I suddenly felt bathed in and transfixed by a very powerful beam that seemed to come from the North, above 30 degrees above the horizon. I was completely powerless, with no will on my own, I felt as if I were in the presence of a very strong force, in personal contact with it. It had intelligence of a form beyond my comprehension, and it came directly (down the beam) into my head, and seemed to be searching every memory in my mind. I was truly frightened because I was powerless to do anything about this intrusion”.

Here we have all the key elements of this kind of paranormal experience of getting “scanned” by an unknown entity, which also happens in Ufo encounters a lot. There is often the mention of a cold intelligence, not benevolent but also not hostile in a common way. There is something very “technical” about this. Its as if the scanner is sort of a machine hiding behind different masks. Another good example is the Whitley Strieber experience in his book “Communion”, one of the most frightening books I ever read.

We see it also in the near-death experience. The traveler is often scrutinized and a “vivisection” of his character does happen.

Perhaps sometimes cultural knowledge and interpretation of anomalous experiences mix. The “reading of the past” of a person, of the sin or the guilt, is part of the Christian Beyond. When we are dying we will have to face last judgment. Thus, it is questionable what was there in the first place.

As Carol Zaleskis says in “Otherworld Journeys” the experience is often influenced by education. A Christian education with its rich world of images certainly had an influence on the interpretation of visionary experience, particularly in medieval times.

But one thing is for sure. The possibility that some “things” or entities have the abilities to look straight into our mind, data reading our innermost fears, is one of the terrifying aspects when the other world enters our world. Our very concept of survival lasts on the assumption that we can protect our thoughts and our memories. What if we can’t? What if there is right now some supernatural hacker sitting somewhere in a dimension close to our dimension and reading our thoughts like a remote controller? And even more, what if we are not any longer in control of our thoughts and our memories?

In the forest, there are places where a demonic twisting of the thoughts we already have can happen. In Algernon Blackwood’s masterpiece “The Willows” it’s not the physical assault which puts the forlorn heroes in deadly dangers. It is the intrusion into their minds because they stopped in the wrong place, where the veil between the dimensions is thinner. And sometimes there is somebody – the elder gods – sitting on the other side, waiting and listening, looking to find a victim.

There are more disturbing possibilities: What if “knowing somebody’s soul” is meaning more then scanning the mind? Could it mean there is someone out there even knowing about the souls’ past lives experiences and individual character? Sometimes we feel we meet the hidden screenwriter or director of our lives at certain points who doesn’t need a big scan of the mind since he already knows.

Forest Folk Horror: An Ancient Subsonic Rhythm

Paul A. Green said the subtext in Nigel Kneale’s “The Stone Tape” (A BBC Play) “is the insinuation that a dark force still pulses like an ancient sub-sonic rhythm in the mix of our everyday lives”(Mcourt).

This is a very good definition for some force which is there but can’t be known exactly as what it is, but can be experienced in a certain way.

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“The Stone Tape” is a mix of horror and sci-fi offering itself theories about the nature of the supernatural phenomenon demonstrated in the play . The apparition is seen as a recording in the first place. The (ghost)house is the recording medium. The house has a sinister history. People committed suicides and there had been failed exorcisms. The scientists in the movie see the “premedieval stonework of the room (where the moments of terror happen) itself as an organic recording medium” (Paul A. Green). The ghost-hunters then try to record the voice of the ghost but fail, however the recordings are played back directly to the brain.

This is an interesting theory and the play-writer Nigel Kneale took inspiration from real speculations and theories during that time (70s), which are still around (like from Konstantin Raudive, Breakthrough).

The legendary TV-Play does a very good job to pinpoint one mechanism and fundamental problem which lies at the core of visionary experiences: Scientists fail to record unexplainable phenomena still people have very serious experiences and make convincing claims about what happened to them.

We see that very often when so-called “proof” is presented. Neither photographs nor videos or audio tapes with recordings of “ghost voices” look convincing. These things happen on another level and the human brain works in an unknown way like a receiver or antenna.

In the end of “The Stone Tape” the main characters discovers an ancient (alien) demonic force as the source of the apparition when it’s too late.




Nevertheless it seems that the concept that the old building was charged with some kind of dark force and that these force can also perform phenomena which look more like videotape-loops is not ruled out.

Wouldn’t such a concept apply very well also for our haunted forests? Isn’t the ancient soil we are living on loaded with unfathomable energies? A form of (sometimes dark) force which can generate an endless variety of phenomena, a power which can make people do things at certain times in the forest?

This is something which lies perhaps at the bottom of all folk horror. In folk horror nature (or the forest) is “no longer content to be background. It has power, agency, in folk horror” as it was said in a brilliant article by Dawn Keetley about the “Resurgence Of Folk Horror” (horrorhomeroom.com).

“Things happen because of the landscape”. Jane Bennett put it this way: “fleshy, vegetal, mineral materials are encountered not as passive stuff awaiting animation by human or divine power, but as lively forces at work around and within us” (Jane Benett, System And Things).

Of course this is what my movie project and the Forest Dark is also about: Folk horror where things happen because of the landscape. Forest Dark is a folk horror project.

And I think folk horror is a great chance not so much for “some story based on true events” but for stories revealing a deeper truth in images. It’s a genre revealing to us something which is very real.

The idea of an “ancient subsonic rhythm” might come close to what it is. It might not actually some sort of sound but more kind of a radiation which we feel in certain landscapes. And there might be a rhythm, maybe a rhythm which encompasses different timespans as we would usually apply to a rhythm.

It would be an interesting question if we have series of events in haunted places like the freetown fall river forest happen like in Stephen King’s It where the monstrous events happen nearly every 30 years.

And “sub-sonic” is great as a description for something which is there but couldn’t be heard or seen directly most of the times. This is what’s “in between the trees” in the forest.

In the movies and in horror-stories we try to extract that “ancient sub-sonic rhythm in the mix of our everyday lives”. We attempt to make it visible, to let us see what we normally shouldn’t see and face that hidden force in our lives.

The Demonic Forest

In my story the forest is infested with the mysterious forces as described in the last post about the “demonic (principle) which can manifest in men, animals and things even in whole epochs (corporal and incorporal)”.

Of course this is not a very original idea or something new but always worth to be told from a new angle.
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Is there anything we could do differently rather doing another “chilling story in the woods”?

As I have mentioned before I am strongly convinced that we should take the ideas of zones of the supernatural and places where the walls between our world and another otherworldly realm alongside our reality are thin and permeable very seriously.

The forest had always many different qualities in our culture in history. Of course the forest is one of the most positive forces known on this planet and everything should be done to protect any forest. The forest itself is not demonic but the demonic element can manifest in nature.

Therefore it is more about demonic places which could make a demonic forest. Cases have been mentioned before here about places which have a weird tendency of letting the same strange thing happen again and again. The demonic element here appears more like an invisible childlike supernatural force repeating the same trick.

The question what could be done differently, what could be told from a different angle is connected with the considerations about the “demonic forces” at certain places (the demonic principle is of course not something necessarily connected with a certain place but it seems there are notorious areas which have sort of a tendency for weirdness).

If we try to avoid stereotypes – for example the stupid killing demon attacking the wanderer – we can get closer to something which rings true to a lot of people.

If we look at most unexplained (supernatural) stories surrounding haunted forests it is more like something is teasing the victims. Even if we hear about dangerous close encounters most of the time the witness is confronted with an mysterious force neither exactly good or bad. However in the end a confrontation with the demonic element could result in a tragic ending. It’s like losing a game with an invisible player.

The mysterious beings in the forest – “The secret commonwealth” like the fairies – are described as paradoxical beings. They are not straight killers but they make people losing their wits.




It might be also a mysterious force behind the “notorious secret rituals in the woods“. Sometimes magic seems to work and perhaps somebody wants you to think that by performing magic you have supernatural powers. However we never had a clue what was really going on.

Our new angle could be something like to admit there are powers we could not reduce to something we know – the best stories or movies like Peter Weir’s “Picnic At Hanging Rock” don’t present simple solutions. They reveal a deeper truth.

“Picnic At Hanging Rock” is a story about the demonic par excellence. It’s disturbing because there isn’t some sort of massacre or any other horrible event revealed. The most frightening side of the demonic element is that we don’t get something bad we can cope with. The most unsettling idea is when we learn something happened which is beyond our understanding.

A “Demonic Forest” is in way like a “Poltergeist”. As soon as we have found a theory what’s going on the phenomenon does something which is like an unexpected twist. In Norway scientists try to understand the “Hessdalen Phenomenon” for a long time – mysterious lights appearing like Ufo’s in a valley again and again, but so far nobody really understood the phenomenon so far.

What the demonic principle can do to us is usually using our curiosity to lure us deeper and deeper into the forest. It needs our strong wish to understand. If we could not any longer understand what’s going on we are lost. Some people vanishing in the forest weren’t attacked by some entity but they lost control.

And perhaps the best trick of the demonic element is to make us believe it doesn’t exist.

Otherworldly Traps

“ROSLIN
Things. The forest is showing me…
Things…”(The Forest Dark Screenplay)

People getting lost or people losing their wits after they entered a dark place in the forest. Are there supernatural traps hidden in certain places in this world?


In fairy tales the trap is a very prominently motive. Writers were fascinated by these folclore stories. There are famous works particularly in the period of romanticism. An example which was described earlier is the “Runenberg“.

Another well-known trap is the court of venus, “Venusberg”. These traps lure the wanderer into another realm. The man who can’t resist will finally lose everything.

These kind of “erotic traps” use temptation. Of course, this is something which works very well in a number of stories.

However it’s indeed primary a literal motive not a very realistic one.

We don’t expect a beautiful fairy queen tempting us to walk straight into a rift in time and space when we enter the woods.

Otherworldly traps are perhaps something which works in a more subtle way. Nevertheless these kind of traps could be very powerful and dangerous.

It seems that there are places in this world were people lose their orientation or get depressed. The perfect description of this kind of otherworldly trap could be found in Algernoon Blackwood’s “The Willows” where two wanderers get maddened by a supernatural force and one of them is close to committing suicide.

“The Willows” is also a fictional supernatural tale but what happens could be closer to what’s really going on. Every year a number of hikers vanish mysteriously. In most cases there are very rational explanations for what has happened with these persons, but some cases remain unsolved. There are areas which have a reputation for this like “The Bennington Triangle”. According to the Indians the woods are cursed in this territory in Vermont.

I think there are two ways to make you losing your wits. If there are forces which could look deeply into the soul of a person these forces will find the weak spot. They will hit you on the most personal level. The other way is showing you disturbing things, things which are somehow not right, something like H.P. Lovecraft’s “Color From Outer Space”.

These kind of phenomena exist. There were described for example in “Dangerous Lights”. Obviously, they act more on a psychological level. They are happen in a realm somewhere in-between the physical world and the inner-life of a person.





Getting into the mind of a person is the most efficient way how a trap could work. The purpose of the trap it to break somebody’s will. Without a strong will we are an easy prey for whatever lurks in the forest. As soon as we are depressed and disoriented we’re lost. Sometimes the victim returns but is changed forever.

Peter Weir’s famous movie “Picnic at Hanging Rock” describes the mysterious disappearance of a group of girls in the Australian outback. One of the victims returns but cannot describe what happened. The girl is changed and cannot remember anything.

The movie is based on a novel which is fiction but played around with the “based on a true story” pattern. The ending was left open for interpretation but the otherworldy quality of the “Hanging rock”, which exists, is a dominant motive. There are hints that it is the special quality or power of place itself which is responsible for the events.

This story is a very good example for a supernatural trap. It’s like a paradigm. We find similar stories surrounding other notorious place like Freetown-Fall River State Forest. In this case the forest itself seems to be the trap, like the famous woods in the Blairwitch-Movies.