google.com, pub-1277587689226943, DIRECT, f08c47fec0942fa0

Sacrifice

“They will not stop until they find a victim” (Duncan, The Forest Dark Screenplay).

It doesn’t matter if we follow “a light” in the forest, or if we search for something – forest horror stories work the same way most of the time: there is danger out there and it depends on the character’s strength to not become a sacrifice.

MG_6051-copy

The motive of a sacrifice could be found at the core of many stories like in Algernon Blackwood’s “The Willows”.

One of the first stories of a sacrifice in the woods is mentioned in Scottish anthropologist Sir James George Frazer’s comparative study of mythology and religion, “The Golden Bough”. The book centers around the thesis that the old religions were fertility cults that revolved around the periodic sacrifice of a sacred king (see Wikipedia).

Somehow we all remember the stories of the elder gods and we know about the idea of a sacrifice. Forest stories work because we know about the inevitable, we know what will happen and hope that there is nevertheless some way out of the forest.

There is another crucial element in the old myth: a sacrifice is necessary for nature to come back to life (that’s the important element in fertility rites in spring). It could be also mean something or somebody has to be sacrificed for the other’s to survive.

Therefore the danger in our forest story does not necessarily come from the forest itself or what resides in the forest but from our companions or even our best friends. Old mythologies are still alive in our heads, therefore we should be careful whom we chose to come with us on our journey into the forest.

What does it take to think a sacrifice could please the angry gods and how long does it take until we are ready to kill our best friend?

Sometimes its not the forest which is dark. The forest shows us our own inner darkness at the bottom of our souls on our trip into the woods.




A Beacon Of Light In The Forest

“She can see a luminous glow coming from between the trees and the undergrowth itself. Before she can make out the origin of the mysterious light it disappears” (The Forest Dark, Screenplay, August 2015, page 81)

IMG_2611 (1) (1)

There is a popular myth around the world about false lights that a sailor warns the captain about people occasionally luring ships into underwater threats, thus causing a wreck.

We find such traps also in the mountains or in the forest: In “Ghost Lights” I mentioned examples of “foolish lights misleading the wanderer from his way”

Normally, the purpose of a beacon of light is either to guide you or it could be also a warning signal. Sometimes we don’t know if it is a warning, and we need to follow the light. How should we know? We have to get closer if we want to find out.

I can’t tell too much about the story in my movie project (in order to avoid any spoilers) but the light in the forest is one of the things where imagination met reality.

In places like Witch Mountains the foolish lights happen more often. The lights appear where the border between reality and unreality is indistinct. It may be that the forest in this mountains has moved somewhere that is like another dimension.

We’ve seen from very real encounters in our world that it’s hard to distinct if the creators of the lights have positive intentions or if it is indeed a trap: Sometimes a fire in the sky promises a miracle, sometimes there is a deadly blinding light in the forest as the dangerous lights in Brazil and Romania.

Perhaps the light orbs and ghost lights are like the beams of some invisible lighthouse in the forest sending a message we still need to understand.

I am convinced that there are places on Earth which work light lighthouses attracting sensible people. For example cult sites with strong tellurian forces can play a huge variety of tricks upon us. Maybe some people who disappeared in the forest “followed the light”.

What we need to ask is: who is the machinist in this lighthouse and what’s his intention? Is he more like the “people luring ships into underwater threats” or is he kind of a guardian angel?

 

 




Dance Of The Sun

Sometimes there are random encounters with people you never will forget. I remember an elder man I saw a couple of times in a pedestrian zone wearing transparent plastic gloves and a transparent raincoat all the time. He was always talking of “Fatima”.

I never learned anything about the background of that old man or what might had happened to him. But something must have made a life-changing impact on him.

“Fatima” was one of the most mysterious events in the 20th century and was accepted as a miracle by the Roman Catholic Church. The Miracle of the Sun was an event which occurred on Sunday 13 October 1917, attended by some 30,000 to 100,000 people who were gathered near Fatima, Portugal. Many people claimed to have witnessed extraordinary solar activity (Wikipedia, Miracle Of the Sun).

IMG_1377

The whole story of Fatima includes much more than the “miracle of the sun” event. It is a complex case consisting of a chain of events. It began with three children, Ludica dos Santos, Jacinta Marto and Francisco Marot who claimed to have seen “Our Lady Of Fatima” and other visions.

They became famous not only because of the miracle of the sun and the apparitions but also because of the “three Secrets Of Fatima”, which included prophecies.

“The most widely cited descriptions of the events reported at Fatima are taken from the writings of John De Marchi, an Italian Catholic priest and researcher. De Marchi spent seven years in Fátima, from 1943 to 1950, conducting research and interviewing the principals at length.[14] In The Immaculate Heart, published in 1952, De Marchi reports that, “[t]heir ranks (those present on 13 October) included believers and non-believers, pious old ladies and scoffing young men” (Wikipedia, Miracle Of The Sun).

There are variations in the reports but a typical report sounds like this:

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”—Dr. Almeida Garrett, Professor of Natural Sciences at Coimbra University.[17]

There is a lot more material and also reports including further phenomena for example strange weather events.

However there is one unique experience at the bottom of these reports: they sound more like some completely strange psychedelic sensation rather than the sighting of a “flying saucer” or the simple appearance of a fantastic object.

The problem with “Fatima” is that it’s impossible today to distinct what people really saw and what was brought up later as an interpretation. “It’s like a crime site trampled over leaving few usable traces for forensics”.

However there are a many things here we do know for certain:

The events had a tremendous impact on many people’s lives. There must have happened something which left a very deep impression. Ludica dos Santos became a nun.

Furthermore also the potential of such events to become a legend deeply affect people. The old man ( I’don’t think he was an actual witness) I watched wearing that transparent raincoat even the sun was shining looked a bit like somebody who is afraid of some sort of contamination or radiation – he made his own makeshift biohazmat.

What’s really interesting is that this happened not the first time. In my previous post “Watch The Fire In The Sky” I described similar events hundred of years before Fatima for example in Tuebingen, 1577. Thus there is a tradition for that kind of events.

From a more sceptical point of view we could ask if these “miracles of the sun” are kind of a cultural phenomena or is it simple a strange weather phenomena as some researchers thought.

It’s hard to say but what we can say is that “the dance of the sun” sounds like a typical visionary experience, something which looks like taken from a shaman’s journey but what happened on a collective level.

There is a strong apocalyptic element here and a very strong ambiguity: it’s wonderful and frightening at the same time, it could be benign but also threatening and it’s really weird. It is more like a collapse of the eternal boundary between matter and mind not like a real physical phenomena. It’s both psychological and its very real in a way.

If we look for real signs of the otherworld it might be exactly these type of events in human history – which perhaps changed or even manipulated the course of our history – we should look for. The “dance of the sun” is the kind of event which sets up the idea in our mind that our most cherished beliefs (about what’s real) could be wrong. Since we don’t know much about the nature of these events there is also a danger for misinterpretation and also abuse in a political sense here.

Phenomena like the dance of the sun work like reality changers, something I am dealing with in my movie project.

Further reading (excellent case study of Fatima included):

 

 

Signs From The Otherworld

The idea of otherworldly guardians in our lives suggests that there must be some form of communication between us and the agents of the otherworld.

A lot of people claim that they receive some call from the spiritual world during their lifetime. Ghosts disturb electricity. Demon’s leave their frightening marks. Since the early beginning of mankind priests and diviners try the interpret signs of the Gods.

Is there a chance to distinct between projections and something real? Is it true that our world is full of otherworldly signs but we don’t see them because we are blind?

IMG_1877

I’ am afraid that there is no clear answer to this if we stick to our usual patterns of rational thinking.

The signs of the otherworld often appear as a mystery, or at least we think there must be some sort of a riddle which can be solved. Thus the first question is not if there are daimonic traces in our world or not but how to interpret them.

Furthermore, is there a message or not and can we read the message? We know from many alien encounters as fairy encounters in former times that these beings obviously love to talk in riddles. The same goes for psychics and daimonic humans; “the owls are not what they seem”  the Log Lady in Twin Peaks says.

When somebody is haunted by daimonic phenomena it might be something which Patrick Harpour calls a kind of initiation (which) happen the other way around: “The Otherworld enters this world” (Daimonic Reality, page 250). He calls it a quest and describes it as a goal-oriented kind of initiation where the quester, bombarded by the otherworld, is vulnerable to a mixture of delusion and revelation.

If we think of X-File’s Agent Mulder we find the perfect example of a quester on the brink of madness. Perhaps the series creators took the example of Mr. Keel, an Ufo-researcher, described by Harpour as an example.

Keel claimed that “that the phenomenon actually led him back on to the right path” which means that the confrontation with otherworldly events had an educational quality. The guardians obviously were teaching him a lesson – don’t trust the obvious.

Thus if we look out for signs of the otherworld we should look not for the obvious (proof of the ghost, alien landing, demon possession) but perhaps the truth lies in the contradictory nature of many reports.

Experiencing otherworldly events and studying the signs could be some sort of learning experience. However in the end the riddle gets not solved in an usual way but in a deeper understanding. It’s a bit like the quest for the Holy Grail where the knights gained insight during the journey. The Holy Grail is a very good example because it has many ambiguous meanings and serve as a symbol.

Otherworldly traces often are kind of symbols but it needs a lot of patience to understand the symbol.

But how could we detect “signs from the otherworld”?  There is no proof to this but if we experience something strange and cannot forget it or something which pops up as a memory later again and again, it might be worth to think about the nature of the event.

Signs from the otherworld might be not necessarily something which appears as something supernatural or as a kind of wonder to us at first sight. It might be strange sets of circumstances which direct our lives in a certain direction. Perhaps we aren’t even aware about these turning points. The only chance is to keep a good memory and understand later the hidden patterns behind certain events.

Of course, paranoia isn’t far away. And it doesn’t take so much to think that a strange cloud in the sky conveys a personal message or there are mysterious signs everywhere in the street, on a train ride or in your apartment. The quester is always walking on a thin line and you need to be on alert to not lose your grip on reality.

The irony however is that the rationalist if much more in danger to lose his wits when his explanations fail rather than the open-minded. Its good to become sometimes only an observer and not necessarily an interpreter.

But here comes another interesting issue with otherworldly signs: if I start a project, for example a movie project or a book which deals with otherworldly themes, it could become a similar quest like Keel’s Ufo-research. Like Harpour says, there are moments “our everyday reality becomes heightened, full of extraordinary synchronicities and paranormal events”(Daimonic Reality). I am convinced that happened already a couple of times and perhaps I wasn’t even aware of it. And this is the moment, when the popular ” story based on true events” could work the other way around. The idea of a project and its development might provoke something. It might not something on a grand scale but subtle events shaping the course of development.