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The Demonic Forest

In my story the forest is infested with the mysterious forces as described in the last post about the “demonic (principle) which can manifest in men, animals and things even in whole epochs (corporal and incorporal)”.

Of course this is not a very original idea or something new but always worth to be told from a new angle.
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Is there anything we could do differently rather doing another “chilling story in the woods”?

As I have mentioned before I am strongly convinced that we should take the ideas of zones of the supernatural and places where the walls between our world and another otherworldly realm alongside our reality are thin and permeable very seriously.

The forest had always many different qualities in our culture in history. Of course the forest is one of the most positive forces known on this planet and everything should be done to protect any forest. The forest itself is not demonic but the demonic element can manifest in nature.

Therefore it is more about demonic places which could make a demonic forest. Cases have been mentioned before here about places which have a weird tendency of letting the same strange thing happen again and again. The demonic element here appears more like an invisible childlike supernatural force repeating the same trick.

The question what could be done differently, what could be told from a different angle is connected with the considerations about the “demonic forces” at certain places (the demonic principle is of course not something necessarily connected with a certain place but it seems there are notorious areas which have sort of a tendency for weirdness).

If we try to avoid stereotypes – for example the stupid killing demon attacking the wanderer – we can get closer to something which rings true to a lot of people.

If we look at most unexplained (supernatural) stories surrounding haunted forests it is more like something is teasing the victims. Even if we hear about dangerous close encounters most of the time the witness is confronted with an mysterious force neither exactly good or bad. However in the end a confrontation with the demonic element could result in a tragic ending. It’s like losing a game with an invisible player.

The mysterious beings in the forest – “The secret commonwealth” like the fairies – are described as paradoxical beings. They are not straight killers but they make people losing their wits.




It might be also a mysterious force behind the “notorious secret rituals in the woods“. Sometimes magic seems to work and perhaps somebody wants you to think that by performing magic you have supernatural powers. However we never had a clue what was really going on.

Our new angle could be something like to admit there are powers we could not reduce to something we know – the best stories or movies like Peter Weir’s “Picnic At Hanging Rock” don’t present simple solutions. They reveal a deeper truth.

“Picnic At Hanging Rock” is a story about the demonic par excellence. It’s disturbing because there isn’t some sort of massacre or any other horrible event revealed. The most frightening side of the demonic element is that we don’t get something bad we can cope with. The most unsettling idea is when we learn something happened which is beyond our understanding.

A “Demonic Forest” is in way like a “Poltergeist”. As soon as we have found a theory what’s going on the phenomenon does something which is like an unexpected twist. In Norway scientists try to understand the “Hessdalen Phenomenon” for a long time – mysterious lights appearing like Ufo’s in a valley again and again, but so far nobody really understood the phenomenon so far.

What the demonic principle can do to us is usually using our curiosity to lure us deeper and deeper into the forest. It needs our strong wish to understand. If we could not any longer understand what’s going on we are lost. Some people vanishing in the forest weren’t attacked by some entity but they lost control.

And perhaps the best trick of the demonic element is to make us believe it doesn’t exist.

Tunnel In The Forest

A tunnel is a typical mythical image often seen in connection with the forest. The tunnel is also an icon for the gateway to the afterlife. In most near-death-experience the tunnel and the light are common elements of the visionary experience. The connection with the forest makes sense: “it is said the forest is a standard icon for the crossing in to the netherworld (in the hero’s journey)“.

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A tunnel has often a hypnotic energy. We cannot resist entering the tunnel. Even if the tunnel is dark we are drawn towards it. A tunnel often means change. When we leave the tunnel we enter a new world. Sometimes also things happen inside the tunnel, which change the person who entered the tunnel. Tunnels are also a typical motive in literature and folklore for magical events like time-travel: a person enters a tunnel and leaves after a short time, but much more time has passed outside the tunnel. And in some cases you never leave the tunnel. Or you enter the tunnel and when you leave you end up in a place far away.

The tunnel is in reality a gateway but its also another archetypical image for transformation. Tunnels can be metaphors for significant turning points in life. Crossing the tunnel is often connected with “Rebirth” or “Resurrection”, which is a theme in my movie project.

In that way the tunnel has a positive meaning. However can we sure if we stand in front of the tunnel? Reality close to the realm of the afterlife or the netherworld is full of deceptions. Sometimes it might be possible that the tunnel is a trap but it is hard to resist the temptation. The temptation is there because the tunnel experience seems such a common feature in visionary encounters. It’s something everybody knows.





In Near-Death-Experience the tunnel is like a standard, a fact, something which always happens. An interesting question would be if in a certain situations somebody could project the image of the tunnel into our consciousness in order to provoke an action or lure us into the realm of the otherworld.

For example in the famous story of Rip Van Winkle the protagonist is lured into a hollow which is actually a place of supernatural powers when wandering through the wilderness of the Catskill Mountains. He falls asleep and discovers shocking changes when he awakes. Furthermore when he returns its 20 years later. It’s not revealed if the hollow was really there and where Rip Van Winkle really was all the time in the short story. Sometimes a tunnel or some hole in the forest isn’t what it seems.

The Lantern Of Fear: Laterna Magica

Developed in the early 17th century the Laterna Magica, an early form of the slide projector, not only influenced the development of the Gothic Novel in significant ways, but had an impact on philosophical thought. Visitors of 18th century Laterna Magica shows took the “Phantasmagoria”, the ghostly effects created by the Laterna Magica, sometimes for real. In Germany the Laterna Magica was also called “Schreckenslaterne”. What if there is in some other plane of reality a “Lantern Of Fear” projecting supernatural phenomena into our world to put us into appropriate behavior?

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If we look at the Laterna Magica as a model it might be a possibility how to understand some “real” supernatural phenomena. Some apparitions and phenomena are often reported in a way as if it were recordings from another dimension. And yes, if we read reports of sightings or close encounters it is like these people have seen kind of a video clip. Apparitions are often repetitive in a way.

Perhaps we are in the same situation like the early viewers of the laterna magica spectacles or people who witnessed the first projection of motion pictures who didn’t understand the mechanism. They didn’t understand what’s really going on.

The other way around the invention of the laterna magica and all its successors – in some way IMAX is the contemporary version of the laterna magica – makes not only use of a natural phenomenon – it could be in some way a human made imitation of a secret mechanism used in another plane of reality beyond our everyday world but affecting our world:

Jacques Valleé suspected that we are like viewers in a movie theatre and that there is somewhere a projector (It’s a bit like saying that we are the actors in the “Truman Show” where the poor protagonist is confronted with effects created behind the studio set he never could understand).

This projector generates some of the Ufo phenomena and more. Valleé also raised the most interesting question: if there is somewhere a projector showing us strange things we only can interpret as supernatural – who is the projectionist?

It would be good if we could meet some day in the future the projectionist who is behind this laterna magica.

Particularly if we look into the history of the laterna magica in the 17th and 18th century some very interesting questions come up:

If we think of a show or a contemporary movie we see it as entertainment but early reports of lantern projections indicate that they were intended to scare the audience. Wikipedia mentions one of its inventors, Athanasius Kircher, a German Jesuit scholar. „According to legend Kircher secretly used the lantern at night to project the image of Death on windows of apostates to scare them back into church“ (Wikipedia: Magic Lantern).

However, there is evidence that the Magic Lantern was used for all kind of subjects. Later there were traveling lanternists called “Savoyards“, and it certainly was a more sophisticated entertainment when the Lantern Shows inspired the dark romanticism with its Gothic Novels.

Nevertheless it’s interesting to come back to Kircher – why would an educated man want to scare his audience with some fake supernatural effects? „Scare them back into church“ means to do something to people to put them back to some proper behavior.

What about our projectionist safely hidden in a different plane of reality uses his „lantern of fear“ to scare us from time to time? We can only speculate what he wants us to do, but mostly it seems it’s always about our belief system.



Traditionally it is the Gods, who are the projectionists creating any kind of wonders to control men. But the magic lantern is in some ways similar to Prometheus’ fire. We stole what belongs to the Gods. In the long way from the Jesuits using the Laterna Magica to educate their audience to modern cinema we learned to become like the Gods showing deeply impressed spectators mindblowing effects like miracles and control their belief system.

However maybe the Gods are still there and control what we should see or what we not should see – even in the movies.

The Forest Deadlights

“They go towards it. The LIGHT FLICKERS, they are full of hope”(The Forest Dark).

Lights usually indicate hope. But sometimes lights can be the source of evil like Stephen King’s “Deadlights”. In his novel IT the deadlights are what pennywise the murderous clown actually is. “It is an orange light that mesmorizes those that are afraid. when mesmerized, IT can feed. IT wakes up every thirty years and IT feeds. It is what is behind the clown” (Urban Dictionary)

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Dangerous lights have been already mentioned here in different cases. The fictional deadlights are more then this. The unknown entity which is the “deadlights” has a mythological background in Stephen Kings universe. It stems from the macroverse , a mysterious void outside the universe, and can manifest in the form of your worst fears or it can create any kind of illusion. It destroys you literally and mentally: “Coming face to face with the deadlights drives any living being instantly insane”.

The interesting part comes with “It’s natural enemy is “The Turtle,” another ancient Macroverse dweller who, eons ago, created our Universe and possibly others. The Turtle appears in King’s series The Dark Tower…The series suggests that It, along with the Turtle, are themselves creations of a separate, omnipotent creator referred to as “the Other’” (http://stephenking.wikia.com/wiki/It_(creature)).

There is a familiarity about this concept: It might be not so much an invention but taps into the gnostic tradition. We see the good/evil and light/dark dualism and the idea of the creator god and the more evil demiurge at work in Stephen King’s mythology.

Even “deadlights” also strongly resembles some Lovecraftian creatures (IT has been here for aeons) it is a gnostic idea. A godlike creature is behind the manifestations of evil. Hope lies with a superior god but that god is far away and not engaged in human affairs. However there is the divine spark or a “good side of the force” which could help against the “deadlights”.

Thus there would be at least a theological background in the idea of the deadlights. It has to be mentioned that “Gnosis” is not one single straightforward theological concept. It’s more a collection of traditions and ideas. For a long time we knew very little about this religion which emerged in the ancient times, until a spectacular archeological discovery, the Nag Hammadi library.

We don’t know if Mr. King was inspired by these ideas or if it is some knowledge which is in some way familiar to everyone.

The most interesting aspects of deadlights is the shape-shifting quality and the manipulative power of the entity. Furthermore there is an otherworld, a realm beyond our universe where these forces come from.

If we look at some phenomena connected with supernatural events in the woods and many stories in particular, we see some similarities: often a light is reported in the first place in stories about strange encounters. Even these lights often have not a harmful character there are many examples of deadly lights, like the chupas in Brazil .

And there is one thing which is often reported in connection with strange lights: the loss of sanity. Looking into the lights is as extremely dangerous as the deadlights which flicker in Pennywise’ eyes. Furthermore there is often a masquerade: the sightings of monstrous beings, witches and phenomena appear more like a simulation rather then real things. Deadlights can manipulate reality. The historical “Happy Camp Case” comes to mind where a small town was fooled by UFO’s, unknown entities and mysterious strangers. In reports about “Haunted Forests” also often a broad variety of weird sightings appear which sound like a huge manipulation of reality. A typical case it the Freetown-Fall River State Forest.

Furthermore the aspect of “vampirism” is interesting: “When mesmerized IT can feed”. This is what we also hear in many stories about close encounters – victims were mesmerized and felt weakened for a long time.




 

Stephen Kings “Deadlights” is another example of a fictional concept with a truth behind it. There is something very real about these ideas, a reality which is also part of the Forest Dark Movie Project. The Gods hide between many masks and what else is the “Deadlights” as an ancient daimonic force mentioned in many myths, stories and contemporary events? Perhaps Pennywise walks among us right in this moment.