Lovecraft Forest

by Peter Engelmann,  January 5, 2021

Storytellers and moviemakers exploring the nature of the unexplained, the real horror, the unnamable forces in a haunted forest will find the universe of H.P. Lovecraft as a fruitful and inspiring description of the unknown realm near our dimension. The American Horror and Science Fiction writer introduced the modern idea of cosmic horror. But does it also apply to so-called true stories?

We can cope with the forest demon, the hairy monster, or the sinister backwood person as a sort of invented story, fairy tale, or a true crime story. However, if we listen to witness reports, the rich lore of many regions, and the terrifying accounts of people who disappeared and returned after days, we sense a deeper reality behind these encounters.

It seems that there are entities and other dimensions beyond our comprehension lurking in the shadows. The reports of fairies, mysterious lights, and abductions might be an effort of the mind to keep sane and to carry on because we wouldn’t dare to think about what’s really out there. Some stories and movies do the same but others try to achieve more and take the story to a greater scope. That’s also what the Forest Dark Feature Film Project does. It’s what many writers do. Getting to the point where the audience feels that there is some truth in a story that might sound fantastic.

Is it even possible? The master of modern horror H.P. Lovecraft created a whole universe filled with terrifying encounters with the Great Old Ones and other entities. The words he uses trigger our imagination, the painfully detailed description of unparalleled horrors and the reports of unspeakable events create a special mood.




The Whisperer in Darkness

There is one story in particular which concerns the forest as a place haunted by beings from outer space or another dimension. In The Whisperer In Darkness Lovecraft takes us to the mysteries of the ominous hills in Vermont. The narrator receives letters and pictures from a man, Henry Akeley, who seems close to a nervous breakdown because of some horrors coming from the woods. It doesn’t take too long and the narrator himself is on the brink of madness.

The interesting thing about this story from H.P. Lovecraft is that partly it is written like an article in a scientific journal. The introduction is expanded speculation about the ancient roots of creatures described in modern sightings. There are strong parallels with modern texts about aliens accompanying mankind from the very beginning. It is a lot about scientific speculation and later on it is not only what happens deep in the woods in these Vermont Hills but also about the nature of true tales in Vermont.

The Whisperer In The Dark introduces the Lovecraft Forest. The horror in these woods is not only about some sort of alien race, worshipping of ancient deities like Shub-Niggurath but also weird artifacts as a black stone or strange anomalies. There is mention of a Lord Of The Forest and a transcript of a recording of strange rituals in the forest implies sinister gatherings and invocations:

“(A BUZZING IMITATION OF HUMAN SPEECH)
Iä! Shub-Niggurath! The Black Goat of the Woods with a Thousand Young!

We don’t learn who or what Shub-Niggurath and the Black Goat of the Woods exactly are but the story works like a jigsaw puzzle. In the end, we sense the whole picture.

Names, descriptions and the story may sound bizarre. It is a weird tale. However, in many aspects, Lovecraft was ahead of his time. The idea of phenomena and alien entities which somehow defies our laws of nature makes more and more sense if we look into modern theories in physics, quantum mechanics, and astrophysics. A visitor entering our dimension and coming from a higher dimension might match some of Lovecraft’s ideas.

Wait a moment. Of course, there is also a straight sci-fi tale here with the Mi-Go alien race and the twist at the end of the story. But what’s interesting here are the choices between the beats in the storyline. It’s what is happening, how it is happening, and the description.

Furthermore Lovecraft uses a special technique of storytelling which creates tension and allows him to slowly reveal what’s going on. The narrator receives letters by Henry Akeley. Later we are not direct witness of a ritual in the forest but the recording is mentioned. This is not only a writing technique its a very smart way to picture something which is not some sort of singular object but like a combination of phenomena. He gives us bits and pieces and we need to draw further conclusions.

Real mysterious forests

In regions where there are a lot of sightings reported or other supernatural phenomena occur it is often not about a single event. Most of the time it is a complex mix of history, strange events, weird behavior of inhabitants, cases of high strangeness, mysterious disappearances, crime, secret rituals in the forest, and communities with secrets on the surface. In 2018 documentarist and musician Jarrod Tyler visited Washington State and the Snoqualmie region where the legendary Twin Peaks series was shot. He interviewed several people and unraveled the real mysteries of the region in a very good and very impressive road documentary Road To Twin Peaks: A North Bend Story. The real stories he heard and the links to an “energy in the forest” do sound even more strange as some of David Lynch’s inventions. Twin Peaks does now feel even more “real” in a special sense. It has a feel of that Lovecraft forest, a place which is somehow different from our normal dimension. In the end Jarred Tyler raises the question: “Was the North Bend mystery created by the TV show or was the Twin Peaks mystery created by North Bend?”

The same question applies to H.P. Lovecraft’s weird tales as The Whisperer In Darkness: How much inspiration got Lovecraft from these remote hills in New England and did his story influence modern stories, reports of sightings, and Ufo-lore? 

We don’t know. But what we see is a theme that runs like a unifying thread through stories, movies, and folklore. And it is something we find not only in these hills in Vermont:

“The dense, unvisited woods on those inaccessible slopes seemed to harbour alien and incredible things, and I felt that the very outline of the hills themselves held some strange and aeon-forgotten meaning, as if they were vast hieroglyphs left by a rumoured titan race whose glories live only in rare, deep dreams” (H.P. Lovecraft, The Whisperer in Darkness).

This is what the Lovecraft Forest is and if we inspect the haunted forests of this world we might come across these mysteries.

The House From Another Dimension

Lovecraft’s Witch house, Black Lodge, White Lodge, Cabins in the woods.

In many forest-horror stories, there is a cabin or a house. In normal life, the cabin in the woods is a shelter. In supernatural horror, it can be a trap or a place where horror happens. However, there are much more interesting possibilities. Sometimes it is not exactly clear if the house we see really exists. Or it is a place of weird experiences.

Houses in H. P. Lovecraft’s Short Stories

The cabin in the woods or the lodge is not the same as a haunted house. There are special places which are connected to another dimension. Lovecraft expressed this idea in the best possible way. There are two stories in particular which are among Lovecraft’s best pieces of writing: “Dreams In The Witch House” and “The Strange High House In The Mist”. In both stories, the hero experiences terror and the visions of the other world. There are elder gods, ancient gods and other creatures. But there is much more. It is a connection between our world and another dimension.

There is a very interesting concept of how that connection works. In “Dreams In The Witch House” Gilman, the narrator and hero of the story, think that the dimensions of his attic room are unusual “and seem to conform to a kind of unearthly geometry”. He assumes “that the structure can enable travel from one plane or dimension to another”. There is a certain similarity in “The Strange High House In The Mist”. The House is situated on top of a cliff. Then it is not clear how you can get to the house. The entrance seems to be on the seaside. The location of the Strange High House makes it very obvious that it is a border house. Of course, in a tale of H.P. Lovecraft, this is not only a border between the land and the sea. It is a border between the normal world and the realm of the other world.

Transition Zones

These type of houses are transition zones. It is like the zone in an airport if you are on an international flight and crossing borders. These transition zones are the place where two worlds overlap.

In the “Witch House” story, the narrator, Gilman, “begins experiencing bizarre dreams in which he seems to float without physical form through an otherworldly space of unearthly geometry and indescribable colors and sounds” (Wikipedia). The more detailed description of these dreams makes the story really extraordinary. It is a horror story. But the horror happens later. The elements Gilman sees sound more like something from the world of quantum mechanics or what happens in particle colliders on the one side. On the other side, it is like the platonic world of ideas: “Among the elements, both organic and inorganic, he perceives shapes that he innately recognizes as entities which appear and disappear instantaneously and at random”. There is more: “Several times, his dreaming-self encounters bizarre clusters of “iridescent, prolately spheroidal bubbles”, as well as a rapidly changing polyhedral-figure, both of which appear sapient” (Wikipedia).

There is one particularly interesting element: “entities which appear and disappear instantaneously”. This sounds very similar like UFO’s and it sounds like particles. In the world of quantum mechanics, we have these spontaneous appearances. It is also what would happen in a 5-dimensional world or in a place where you have two dimensions overlapping. Perhaps there is some sort of bilocation involved here too. Or these kind of “houses” from another dimension are keeping, doublegangers and trapped souls. They maybe look like houses but actually they are some form of container or field. In a way they are “storehouses of images” There is another very prominent example which takes Lovecraft’s ideas even further.

Black Lodge And White Lodge as mythical places.

The most prominent use of a house or cabin as a mystical place of transition is the black lodge and the white lodge in David Lynch’s series Twin Peaks. Agent Cooper is trapped for 25 years in the black lodge. It imprisons souls and it is a place of evil. A very interesting element is that it is an extra-dimensional location and also a portal. It’s not the same but there are conceptual similarities with Lovecraft’s Witch House and The High Strange House In The Mist.

Do these places really exist?

These things not only exist in literature and on TV. Like many elements, we find in fiction there are many stories from hikers or travellers. They claim to have seen houses or even rest stations which they couldn’t find later. It is not possible to find any proof if these stories are real. The distinction between the haunted house tradition and these ideas is the important thing. A haunted house is something which indeed exists in our plane of reality. The “Witch House” or “Houses from another dimension” might be something which looks like a house or a cabin but which is something completely different. As we know from many close UFO encounters “the phenomenon” is able to borrow our images, as researcher Jacques Valleé emphasized in an interview for the movie “Witness of another world”. Thus, these houses from another world could be something more like the Tudor style room which Astronaut Bowman sees in 2001. The cabin might be not a cabin but a complex simulation. The House from another place is an important element in The Forest Dark Story too. It adds to the level of cosmic horror.