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Questioning reality is one thing. Another thing is if we can be sure about what we see or what we don’t see. Animals can see things we don’t see. Cats for example do not need any night vision googles. Their eyes are much better as ours in the night. Perfect for a little predator, bad for the mice. However they can’t see as much colors as we can. Maybe our perception is limited in many ways, too. There might be something there, but we do not see it. Maybe some people’s perception is different. They see a little more as we do.

A carver in the Bavarian Forest, Southern Germany, said in an interview he is carving only what he sees in the forest, for example the masks he makes skillfully from wood he finds in the forest. But this is only his imagination, isn’t it?





Here comes a radical idea about the “psychic memory”:

In an invented dialogue between Socrates and his student Meno Greek philosopher Plato suggests that the soul is immortal, and repeatedly incarnated; knowledge is actually in the soul from eternity, but each time the soul is incaranated its knowledge is forgotten in the shock of birth. What one perceives to be learning, then, is actually the recovery of what one has forgotten.

There is a lot more about “Anamnesis”, which was a complex concept with tradition and different point of views in ancient times. In neoplatonism  the idea of psychic memory was used to demonstrate the celestial and immaterial origins of the soul, and to explain how memories of the world-soul could be recalled by eyeryday human beings. As such, psychic recollection was intrinsically connected to the Platonic conception of the soul itself. Since the contents of individual “material” or physical memories were trivial, only the universal recollection of Forms, or divine objects, drew one closer to the immortal sense of being.

“Anamnesis” is the closest that human minds can come to experiencing the freedom of the soul prior to its being encumbered by matter. The process of incarnation is described in Neoplatonism as a shock that causes the soul to forget its experiences and often its divine origins as well (Source: Wikipedia).

That’s a real wild one, isn’t  it?

The concept employs a radical idea of the “Otherworld” and leaves us in the middle of The Forest Dark, since it would mean we would have not the slightest idea what’s really going on.

Of course, this concept is pretty much a question of belief. However it crossed my mind when sometime a movie, a story, a landscape or even some events feel strangely familiar. Is there a hidden meaning behind our experiences and haven’t we sometimes a feeling like “I’am remember this thing” or ” I have seen this before”?

As an example you find the idea of incarnation in box-office success “Avatar” with main character Jake Sully’s mind becoming transferred into a body of the natives of Pandora, the Na’vi. The obvious distinction is that Sully never looses his memory, however the whole premise appeared to have reached viewers on a deep level of consciousness. Also the “Matrix” movie had a deep impact on viewers. In the “Matrix” Keanu Reeves’ ordinary world isn’t much more as merely a facade.

You might object that these  are very simplifying and literal examples. Agreed, but there is sometimes much more in the movies as meets the eye. Star Wars reached mythical qualities.

Back to ordinary reality it is important to understand another principle connected with the ancient concept: an object might represent more as just the representation of itself. Landscapes could represent some more, maybe kind of an idea or something like a principle. Sometimes we get that feeling for example if we look at an extraordinary mountain, that this is not just a mass of stones but there is more about it even we can’t lay our finger on it what exactly it is.

Sometimes we recognize a place we have never been before. Sometimes in a certain state of mind images are crossing the mind, where we do not know where they come from and sometimes a picture on a bookcase we come across coincidentially can have a very strong effect. It may strike us like a memory but it isn’t anything we have seen before. Legendary psychologist C.G. Jung had a patient who dreamed of a face he never saw before. The same face appeared on a drawing from the 17th century. The patient had never seen that drawing. There are strange similarities in people’s faces from different times sometimes.


When writing THE FOREST DARK script sometimes images played an important part in development. Maybe the images are not just part of some imagination but represent a real existing place somewhere.





 Some years ago this image occurred in a dream and left a deep impression. Where did it come from? Anamnesis is only one of many ideas.

In Stephen Spielberg’s classic CLOSE ENCOUNTERS Roy Beary (Richard Dreyfuss,) a lineman in Indiana, becomes obsessed with sublimial mental images of a mountain-like shape.

Do we receive such images from an alien intelligence?

Mental images are a very strong thing. They can work like archetypical  patterns leading our lives. But who is behind these images? They can come from deep in the psyche but also being part of the collective unconsciousness in psychological terms. In ancient philosophy the world soul (Anima Mundi) is seen as a storehouse of images (Patrick Harpour: Daimonic Reality).



I stumbled across this site coincidentally during a stay in Sweden 2002.  A memorial stone says that Gösta Carlsson saw the landing of an UFO, which is said to have taken place on May 18, 1946.

I can’t give any judgements what happened here, but found the site extraordinary. Somehow it resembled a bit the mental images, which turned up from time to time.

As we know there are many places on earth, which had been held sacred by our ancestors, is strongly believe in special places particularly in a forest dark. In any culture and any country there are sites where men met their gods. What are they? Peeping holes of the gods to look into our world? Some kind of interface between the dimensions?

So much for today. I see you in a forest dark soon.



Welcome to The Forest Dark

Do you think this is one more of these stories “based on true events”?  You might suspect this.  You and me we know this is most of the times part of the marketing campaign for the movie. Thus, in the end the story is not really true and we can relax. I am afraid my case is more complex. The Forest Dark Feature Film project didn’t start as some sort of another genre movie project “based on a true story”. It was pure fiction. But that changed.

Do you know where ideas come from? We invent them. Sure? What would you say if I would say, sometimes stories are remembered. I hear someone say, of course, something from your childhood. Some people write up their own biographies when they think they are writing fiction.

I have to admit that anything with the subject of The Forest Dark Feature Film Project was not related in any way with my personal experience before I become involved with this.

But did you ever remember anything and didn’t know where that thought came from? Maybe from a former life, a dream?

There are much weirder possibilities, possibilities I never imagined. I learned we live in a world which is super natural. Behind the thin veil of our everyday world exists an otherworld. This otherworld isn’t really separated from our realm. There are strong intelligible forces following us and watching over us. Sometimes these forces are shaping our lives and even our projects.

And when we start to question our experiences during our individual journeys we may find that we indeed live in a “forest dark”.