Silent Hill Or Personal And Impersonal Higher Dimensions Of The Other World

Multiple dimensions are a common concept. They work for fiction in film, series and books as in games. The idea of a multiverse as seen in the legendary Sci-Fi movie Interstellar by Christopher Nolan is a serious concept in science too. The concept also works as one of the explanations for supernatural encounters, mysterious missing cases and the unexplained.

There are important distinctions here. We often hear of a fourth and fifth dimension. In a more scientific sense these dimensions represent mostly layers of a another reality with different physical qualities. For example there is the idea of an alternate universe where times runs backwards.

These different “qualities” of spacetime are mostly impersonal qualities. They are not individually related to a person or observer.

Higher dimensions as we know them in myth, in the history of men’s culture and in the collective conscious have a different quality. This applies both to fiction in literature or film and reports of supernatural encounters. It’s typical that the experience is a personal one. The experience is related to the psyche of the participant.

Silent Hill as a prominent model

The famous 90’ties computer game SILENT HILL is a perfect example. The outstanding concept of SILENT HILL led also to two movies. Director Christophe Gans turned it 2008 into a psychological horror movie.

Silent Hill is set in a dreamlike city where there is a constant shift between different layers of reality. There is a fog world and an other world. In the dangerous and malicious other world the heroine’s or the actors in the game sometimes face monsters which seem to stem from their own unconscious. The same creature is not for everyone a monster. It depends on the individual’s condition.

There are many writings about the mythology of Silent Hill. Some say it’s not necessarily a multiverse. However this is not the most important point here. The thing is that Silent Hills appeals to many people because the set of reality feels familiar. There is sort of duality here we all know. Everybody knows our real daytime world and the more dreamlike night world or the other world we experience in dreams. There is a duality between “light” and “chaos” too, which reminds us a bit of the gnostic view of the world. Max Derrat provided very good and fascinating insights about this in his videos about the mythology of Silent Hill.

Silent Hill is as my The Forest Dark Feature Film Project a place where the boundary between real daytime world and the dreamlike nighttime world collapses. The interesting thing is that ordinary reality can shift into another state without a person changing place. All happens in the same place.

This concept we see in Silent Hill but also in a variety of stories, books, films, series or witness accounts of sightings seem to apply to certain zones on our planet. It is a good explanation why any place is felt differently. It explains why some people might have a nightmarish experience in a forest or a mountain or an endless wilderness whereas other people just see a nice tourist spot.

Is there a personalised other world?

But how is that possible? How could it be possible that another dimension creates not only individual visions related to the personality, the fears and even the past of the person involved but becomes real in a mere physical sense. It is even a personal, individual alternate dimension. If this is a fictional story me might say this is a convenient concept for the writer to propel the individual’s journey forward and illustrate the deeper dimensions of a character. We see this particularly in many ghost house stories: The main character has to face his past to be free. However the same happens in many real witness accounts. In alien abduction stories people see symbols which are related to their personal history. It’s the same with people who went missing had had strange visions.

There are different theories how this is possible. One idea is that what witnesses see in sightings is not what’s really going on. It might be something which is too big for the human mind to comprehend. Perhaps our mind “translate” this into something which seems familiar. Or there is an intelligence at work we don’t yet understand, which “steals” our images and experiences and uses it for its own agenda. Some witnesses of UFO-sightings report things which sound like a sort of stage play.

Synchronicity

Another theory is that the psyche is itself kind of another dimension and can manifest in a material sense. These theories follow the writing of famous psychologist C. G. Jung. His ideas imply the existence of a higher dimension which is both inside the mind and outside the mind/body. He described so-called-synchronistic events. Synchronicity, in simple words, is a different idea about causality connecting the inner personal life with events on the outside in the material world. It’s not like magic belief, it is indeed an empirical system. C. G. Jung recorded many of this synchronistic events. This is the most revolutionary idea and makes us rethink our very concept of reality. Max Derrat gives us an interesting insight in the synchronicity theory in his videos about Silent Hill too.

Dimensions with a conscious or the Gods?

Another idea: What if fields, spaces, alternate dimension have a sort of consciousness. Some people believe we live in sort of a simulation (yes, the matrix mythology). If the world if we see it is a simulation who is the creator? There is indeed the assumption the universe itself is consciousness. Maybe everything we see around us is kind of of a higher living being.

A common idea of science-fiction is that alien entities can not only create alternate realities but “borrow” our images and put them together in a new way like the experience astronaut Bowman has in the end of 2001. Haven’t we lately become “reality-builders” ourselves? Modern game-engines like Unreal Engine create whole photo-realistic new worlds with some clicks. You can use a preset as a portal. Perhaps there is somebody out there who can do this on a higher level we can’t imagine even in our wildest dreams.

One day we might see ourselves in a position as the hero of the Truman Show when he realizes he was inside a staged reality all the time. If so, is there an audience watching us, too?

Peter Engelmann

Dark Forest Theory

Why is it quiet in the forest in the night? Some animals are sleeping. Humans don’t enter the forest normally in the night. But there are other more important reasons: It is import to stay quiet in order to survive. Predators are out there. And perhaps there are other things roaming the night. It is better to make no noise and make sure nobody can see or even smell you. It is dangerous in the night in the forest.

Liu Cixin. The Dark Forest (Novel): “The universe is a dark forest. Every civilization is an armed hunter stalking through the trees like a ghost, gently pushing aside branches that block the path and trying to tread without sound. Even breathing is done with care. The hunter has to be careful, because everywhere in the forest are stealthy hunters like him. If he finds another life—another hunter, angel, or a demon, a delicate infant to tottering old man, a fairy or demigod—there’s only one thing he can do: open fire and eliminate them“.

The quote is from a sci-fi novel. It became the source for “the dark forest theory”. Scientists discuss this theory seriously. Why is it so quiet in the universe? The majority of scientists believe there must be a tremendous number of alien life in the universe, some of them intelligent. Why is it that humankind seems to be the only civilisation sending radio signals out there? The theory has a frightening explanation. Most civilisations stay quiet because it is better to not make a noise because it is dangerous. Predators are out there.

There is no proof for the dark forest theory. We better pray that this theory is wrong. Furthermore, there is no scientific way to find out if it is the wrong idea. However, like many other ideas, the dark forest theory has a long tradition. If we take a closer look, we will find it is a very old experience.

Of course, we had this situation in ancient times. The forest was indeed a dangerous place. In our times the forest at night might be a safer place as the roads of a big city. But what about the otherworld? The otherworld is sometimes described as a shadow world as the Upside Down. In such world there are dangers. Maybe some inhabitants of the otherworld are hiding because they are afraid. It is better to hide because it is a dangerous place.




Perhaps the dark forest theory refers not only to experiences from ancient times but is related to our idea of the otherworld.

It is a common idea that there are places where the veil is thin between our world and the otherworld. There are forests where the otherworld is closer to us than anywhere. These are dark forests. They are haunted. The dark forest theory applies here. It is important to stay quiet in these places.

However, we might find this a narrow-minded concept. The dark forest theory completely relies upon the assumption that everything is about the survival of the individual. Complex civilizations instead survive because they learned about cooperation. And if we stick to the example of the forest at night it is not true that it is completely quiet. We hear the noises of animals which are active in the night. Not anybody is afraid in the dark forest. However, isn’t cooperation always a risk? There is a saying the enemy of my enemy is my friend. Cooperation happens often simply because it is necessary for some time. Survival instincts are always at work. The same applies to the creatures of the night. They have found a way to survive even if you can see or hear them. They are risk-takers.

There is one key question here which might explain why the dark forest theory rings true: If we ask ourselves, what is life? There is no real satisfying answer yet. We understand the concept of life. And we know what life is like: Life is always about survival: Survival of the own race, the own form of life, my survival, the survival of my kins. The dark forest theory appeals to us because it is about what life really is: Survival.

If the otherworld matches our world in basic principles it will be also about survival. It could be a war of ideas or principles or different forms of entities.

Perhaps staying alive in the otherworld is something different as in our own world. Being quiet in this dark forest can mean to hide your thoughts. In the other realm, it is important that nobody can read your mind because you could be overwhelmed, invaded and lose your wits.

It is very interesting that Liu Cixin speaks of “demigods”, “angels” or “demons” and “fairies”. These are typically inhabitants of the otherworld. They are not what we think as “aliens” in the context of science-fiction or the universe. But if we see the universe and the otherworld as closely connected – perhaps, in the end, the universe is the otherworld, the dark forest theory makes sense as a universal experience. If we look at the myth of mankind or even the ancient stories from the Old Testament our world appears more like the dark forest as anything else.

LIGHT AND CHAOS

The Forest Dark Video Instalment No5 – Creation

“From the very beginning, there was light and there was chaos. Both came from far beyond” (The Forest Dark Screenplay).

Black Fire. Dark Energies in the forest. Telluric Forces. Where do they come from? There are many descriptions of the nature of haunted places. There are the remote forests and the mist-shrouded mountains where people vanish. Hidden places where rituals and sacrifices do happen. The region where mysterious lights can be seen. The haunted countryside where unspeakable forces had influenced many generations. There must be a source for this. Somewhere.

The mythological stories of mankind have many tales about something which came from deep within. There is a rich imagination about an underworld. The caves had been populated by the lower gods.

What if it came from outer space? H.P. Lovecraft described an entity in his famous story “The Color From Outer Space”. It is something which has an indescribable colour. Since it set its foot on Earth it is exerting a malicious influence. It never reveals its true nature.

In Lovecraft’s story the “Color From Outer Space” terrorises a strip of farmland. However there might be supernatural forces which are larger. They represent primordial forces. We find reports of “Chaos Gods” in any ancient culture. They are called “Ahriman” or Andra Manyu, destructive spirits, in Zoroastrianism’s hypothesis and Apep or Apophis in Egyptian mythology. Also the Norse mythology and American Indian People do know about the gods which stem from primordial chaos. Mostly these gods reside in the skies. They are opponents of the sun gods or the light.



In our times we tend to envision these forces as the “Great Old Ones” (Lovecraft) which come perhaps from a distant galaxy. But if we think about the cosmic influence it doesn’t necessarily always imply travel.

Albert Einstein who developed the Quantum mechanics described a phenomenon called “Spooky action at a distance”. It refers to the so-called “quantum entanglement”. Entanglement makes it possible to achieve what is not possible in the conventional world.

Entanglement means that if you watch a particle in one place, another particle, which could be light-years away, will instantly change its properties. It suggests that the two are connected.

This phenomenon contradicts ordinary laws of nature. Nothing can travel faster than light. But in the mysterious quantum world, there is long distance communication without any need of time.

Many scientists conducted experiments about the “Spooky action at a distance” and there are more and more results which appear to prove the existence of this phenomenon.

Perhaps the strange places on Earth, the haunted forests, are mysteriously connected with the universe. We could think of them as the cosmic forest, created by forces beyond our imagination. Thus a place on Earth could be directly be connected and influenced by something far away. It could be some sort of intelligence in a nebula or wherever the chaos gods reside.

If we follow the ideas of quantum physics we might also find that our idea of “here” and “there” isn’t any longer valid under certain circumstances. If “they” can be in touch with our everyday world here there could be also windows into the other worlds. In dreams, sometimes, very clear visions of distant worlds pop-up, which hasn’t been seen by any real explorer.

“Forest Dark Video Installment No5 – Creation” is related to the feature film project and hopefully inspires viewers about “Light and Chaos”, “Here and There” and how the forest is connected.

Darkness

“I am a forest, and a night of dark trees: but he who is not afraid of my darkness, will find banks full of roses under my cypresses.”

― Friedrich Nietzsche, Thus Spoke Zarathustra

Darkness can mean a lot of things. The immediate association is often with sadness, depression and danger. We are afraid of darkness. Particularly in the forest when it is getting dark we don’t want to be there. Perhaps this is our instinct from ancient times. We are not trained to survive in the dark. Newt in “Aliens” says: We‘d better get back ’cause it’ll be dark soon and they mostly come at night.

Indeed we are most vulnerable in darkness. We can’t see. But they can see us. The Forest Dark is no exception. In my story night means danger. But there is more about darkness. It can mean many things. As the philosopher says, there are many things to discover in the darkness. He might refer on the Dionysian side of existence, which is associated with chaos and the unknown but also creativity. 

The forest is the perfect representation of both the bright (the Apollonian) side and the dark and dangerous (the Dionysian) side of reality.  There are purity and innocence when we look at the trees and hear the birds. But darkness is never far away. The forest is a world full of secrets.

The Dionysian view acknowledges the daemonic principle at work. Life is an essential struggle. There is agony, tragic and darkness. We see it in the struggle for survival. It suggests that we live in Purgatory. Stories and films often show us that kind of darkness in their strongest scenes: In David Lynch’s latest Twin Peaks series there is a scene in front of the dinner when Bobby Briggs tries to stop a honking woman shouting in a car after a little boy started to shoot with a gun. This is a moment where we feel that life is purgatory. It is a quiet scene which ends up in pandaemonium. It shows us a supreme reality which is full of darkness.



In the forest, there is incredible beauty and there is unparalleled cruelty – animals get eaten by insects and even fungus. The wanderer is soon in his own struggle for survival if he got lost.

The forest is the place of Dionysian rites and sacrifices. It brings up the Dionysian side of people – this is where drug parties happen and there are secrets about unspeakable things which happen in the night.  

Darkness, however, should not be mistaken. Darkness can be a condition. It is a condition where there is a connection between men and unknown spiritual forces. Something dwells in thick darkness. There is always an ambiguity about darkness. Something can look at us but we can’t see its face. Something which can’t be grasped in simple terms. A mystery which can’t be explained in words.  An experience which can’t be described. The experience of the unknown in darkness is also the previously mentioned black fire